| Q |
Ajarn Denny, or A.D as
your mom probably calls you, ten years in one place of employment! How have
you managed it? |
| A |
I was quite the traveler in my youth. I made it to over 30 countries and
almost 40 US states. ‘Vagrant’ was what my mom actually called me. However,
when I got hired to come to Thailand, I made a conscious decision that it
was time to learn what it was like to stay in one place for a long time. I
figured there had to be something to be learned from sticking it out in one
place instead of always moving on at the first inconvenience. I occasionally
get nostalgic for the old days, but globe trotting on a shoestring budget is
a younger and single man’s game. |
| Q |
We get a fair amount
of negative feedback on the forum about the downsides of working for the
'religious institutes' How has your experience of working at a Catholic
institution been? |
| A |
Because I’ve only ever worked in Thailand at a ‘religious institute’, I’m
not sure that I’m qualified to offer any comparisons to other types of
schools. I just do what it seems necessary to do at any Thai run
organization. I’ve learned to keep my head down, don’t complain out loud,
pay lip service to official policies, and then get on with doing my job the
best way I can. If either they or I become too dissatisfied with the other,
both have options.
Having said that, I cannot complain too much about the way that I’ve been
treated here. I have occasionally had small problems with minor bureaucrats
in the system, but the leaders of the university have always sorted it out
for me. |
| Q |
What's your workload like these days? |
| A |
I am responsible to teach 15 hours a week, two
semesters a year. Of course there is office and preparation time, but the
truth is, I don’t suffer. The paid holiday time is one of the best reasons
to teach at a university in Thailand. I may never be rich, but I do love my
free time. |
| Q |
How many students do you typically have in each class? |
| A |
Officially, it’s supposed to be
25-27 per class. It actually works out sometimes to be 15 or 35. I try to
accommodate my students’ schedules as much as possible. |
| Q |
The students you do teach are often obscenely wealthy.
Does this lead to a lack of motivation on the part of the students knowing
they can live in Daddy's big pocket if life suddenly means no chance of
passing exams? |
| A |
While it is true that many of the students at the university where I work
are rich, most are middle class, and a few are even working to pay their own
way. I try to treat them all the same. One of my first lessons in any class
has to do with how I don’t care who their daddy is or what kind of car they
drive, either they work or they don’t pass. My belief is that any student
who belongs in a university will come to understand that knowledge is a
valuable and empowering commodity. If they don’t understand this, then they
probably don’t belong at a university in the first place. This is
independent of personal financial status.
I also hammer home the point that what I have to offer them can’t be bought,
it must be earned. Whatever possessions one has are outside of the person.
Knowledge, and specifically language, is part of who one is, not what one
has. Any idiot can spend money. That does not require any special skill.
What will make the student special as a person is who they are, what they
can do, not what they have or can buy.
The university helps out because they do not interfere when I fail a
student. I have heard many stories about grades being changed. It has never
happened to me. |
| Q |
Tell us more about this special project with your
literature students? |
| A |
I get three or four sections of English One students (approximately 100
students) and I teach them for four semesters from English One through
English Four. We do extensive reading of full-length novels, and I make them
write a lot of guided journal entries every week. Then in English Four, each
section writes a novel. Each student is responsible for one chapter. Of
course, the student doesn’t start writing his chapter from day one. There is
a process by which the section chooses and develops the storyline so that by
the end each student knows which part of the story he must capture in his
chapter. I do not interfere with the choice of topic that each section
decides to develop into the novel. The students are completely in charge of
what they write. My job is the how part, the process of helping them develop
their ideas into novels.
In addition to producing original authentic fiction, the project provides an
excellent opportunity for the students to practice all four of the major
language skills. In order to make the storyline consistent, the students
must constantly speak and listen to each other. The fact that they want to
write a good novel insures a meaningful context for this oral communication.
Additionally, each student must rewrite his respective chapter many times.
After each rewriting, he must read many of the chapters before and after his
in order to insure the consistency of the story. This is one of my favorite
parts because traditionally it is very difficult to get students to rewrite
anything.
Now we are in the process of publishing some of the novels. The first one
has been done. Several more will follow soon. They have been edited for
grammar mistakes, but the storylines have not been changed.
I am excited because this gives the opportunity to anyone who can read
English to learn about Thailand and Asia from the perspective of Asians. I
was aware for many years that my students knew about Hollywood movies and
American TV shows and therefore had some knowledge about my country.
However, basically nobody in the US is watching Thai movies or learning
about Thailand. The fact of having written their culture and ideas into
English makes it possible to begin to turn around the flow of information,
hopefully to the benefit of both sides. This is where the name of the series
of novels comes from, The Turnabout Series.
After costs are covered, profits from the sale of the novels will go to a
scholarship fund for deserving students at the university. No teacher will
make any direct profit from them. However, I’m hoping it won’t hurt my
career. |
| Q |
I've seen the
manuscript myself and it's good stuff. When will we see it on the shelves of
Asia Books? |
| A |
Yesterday, if I had the power to make it happen. However, this being
Thailand, the correct answer is that I’m not sure. There are always little
glitches that I can’t anticipate. Hopefully they will be available soon. In
the meantime, if you want one, the novel is available in Assumption
University bookstores, or you can contact me at
turnabout@au.edu and we’ll try to sort
you out a copy. |
| Q |
What are the downsides of university teaching? |
| A |
Meetings and seminars. I find that many people in academia are more
interested in impressing than informing. |
| Q |
How high are you aiming for on the teacher's ladder? |
| A |
I try not to get the cart before the horse. I have this naïve belief that if
you consistently try to do a good job, the reward will come by itself. As
far as teaching in Thailand, I wouldn’t mind getting an Associate Professor
credential since that would make it easier to insure that I could continue
to live here.
Whatever position I may achieve, I always want to stay in the classroom.
That’s where I think I do my best work. While I appreciate people who do the
admin work, it’s not for me. At least not full time. |
| Q |
Your
university has a real cosmopolitan teacher's room. Do the teachers mix well
or tend to gravitate towards their fellow countrymen when it comes to
socializing? |
| A |
Teachers tend to gravitate towards other teachers who have a similar
schedule. Most of the time it’s a smoke outside between classes or a quick
cup of coffee. Since the university has opened two campuses, I see many of
my colleagues much less often than before. |
| Q |
Complete
the following sentence. I will never go back to America because.......? |
| A |
I don’t believe that I could support my wife, myself and our first child,
which is expected in August, nearly as well in America as I can here. Other
reasons include the belief that I would not be allowed the academic freedom
to pursue the projects such as the one mentioned above at a university in
America, and the fact that it never snows in Bangkok. I hate cold weather. |
| Q |
Being a
literature enthusiast, which three writers would you share an evening's
bowling with? |
| A |
Albert Camus, Richard Brautigan and Wilbur Smith. Two are dead, and the
third is over seventy. I may actually be able to win at bowling for the
first time in my life. |
| Q |
You have a
passion (and a very serious passion) for English football. Don't you prefer
your footballers with loads of padding, all high-fiving each other because
they managed to get their helmet on the right way round? |
| A |
I love the whole culture of sport. Baseball,
basketball, rugby, football, American football, golf, even cricket on
occasion. The only one that leaves me completely apathetic is auto racing. I
don’t see it as a sport.
The reason I’ve gotten into English football here is that it’s what’s
available to watch. A Premiership match down the pub with your mates is a
much more enjoyable sporting event than the NFL alone with a cup of coffee
at 8 a.m.
Also, sport is a lot like language. Knowing the rules of the game is just
the outline, much like grammar in English. The interesting part is what
people do within the rules. What will Thierry Henry do next, or Gordon
Strachan say?
Come on you Baggies! Boing! Boing! |
| Q |
Give us a
nice quotation to finish and not something you've pinched off Oscar Wilde
either. I've heard the 'sensational diary' one before. |
| A |
It may be a bit old
fashioned, but I like the classic ‘Seek and you shall find’. Verbs with no
objects. It’s a constant imperative for action, and a constant promise of
results. It keeps life interesting.
|